3/14/2023 0 Comments Sharon gless burn notice![]() ![]() ![]() Gless remained under contract for the next decade, until the studio ended all talent contracts in 1982, earmarking her as the last contract player in the history of Hollywood.During her contract years with Universal, Gless appeared in top-rated television series including: The Rockford Files, The Bob Newhart Show, Kojack, Adam-12, and Faraday and Company. With over four decades of indelible television, film, and stage roles to her credit, Gless continues to enchant her longtime followers and captivate new fans with every appearance.In 1972, the head of Talent at Universal Studios perceived a take-notice quality in Sharon Gless and signed her as a contract player, a coveted breakthrough opportunity for any young actress. Sharon Gless is one of them.Generations of TV viewers know and love the remarkable characters brought to life by this standout multi Emmy and Golden Globe winning actress: Christine Cagney (Cagney & Lacey), Debbie Novotny (Queer As Folk) and Madeline Westen (Burn Notice), among many others. What's happened is the wonderful actresses in the motion picture field who would never touch a thing called television are now flying to it.Few actresses have the distinction of being recognized and revered worldwide for multiple iconic roles in groundbreaking television shows. What's interesting about older women, my age, motion picture stars my age, most of them can't get jobs now-except for Meryl Streep. Now, I notice women are getting starring roles again, like The Closer and Glenn Close in Damages, but it seems like men are still carrying the shows in ensemble pieces. The first time a drama was ever done with two women was Cagney & Lacey, and we were spoiled by one of the finest producers in the business. Then I go through eras when I think of the Lucille Balls and the Mary Tyler Moores, who certainly set the tone for women in television. There was the wonderful, wonderful early years of television when everything was live, and I'm old enough to remember it. There's a kindness that I don't see as much anymore, but I think television has changed so much. I lasted 10 years, then I left and went into Cagney & Lacey. I wasn't the last one to get one-I was the last one to leave the lot. I started as a Universal contract player-I'm the last contract player in the history of Hollywood. SG: It's very, very different from when I first started. How has the business changed over the years? SR: You've been in and around show business for about 40 years. She's the only one who can hit him in the heart because of his background as a child and also the line of work he's in. But so far, over these last two years, she's the only one who's been able to get to him. Until recently, the character Fiona is now reaching him. He said, "Sharon, he gets his smarts from her." I said, "Okay, I understand." So even though she's sometimes seen in maybe a victim situation with him, that he's not forthcoming, she knows him. But once they started shooting series scenes, the producer gave me one note. In the pilot, she wasn't as well-defined. And she's difficult and he's also trying to hide who he is, so we have all kinds of stuff going on when we're playing the dialogue. That's always underneath everything, so we're given sort of a loaded situation, he and I. There's a back history we both know about that's been written into the show-the abuse in the household from the father. ![]() SG: I don't know, Jeffrey Donovan and I just show up every day when we have scenes together and we just do it. SR: Your character and Michael have a wonderful onscreen dynamic.
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